I guess there’s a theme with recent MOTBs, so it’s a good time to post ruins! Truth be told, I’ve had these ruins ready for quite some time, but having only just purchased a lovely new battle mat from Pwork Games it was a great time to get some photos done.
Out with the old
I must have owned this kit for over a decade, getting dragged around between uni, house moves and all sorts. A few years ago I had a weekend spare and I wanted to finally get it from sprue to battlefield.
I had a tiny problem – much of the kit had been lost to the annals of time I was missing at least one whole upright pillar, the top of the monolith and at least one bit of broken pillar. I’d need to get creative.
In with the new
Luckily my pals at Hobgoblin 3D had me covered. I’d been doing some work for them and I was paid in scatter terrain (can all my paychecks be in scatter terrain please?) and I found the dungeon brazier fit perfectly in the gap at the top. Result!
I’d been using it for practising painting techniques, so it wouldn’t matter if it was getting repainted.
They were quite impressive all assembled. I’d used a cheap readymix DIY filler and smeared it all over, giving the flat edges a bit of texture and tidying up some of the more heinous mould lines.
It was a shame I was missing a few pieces, but it’s supposed to be ruins so the mismatched appearance would be fine.
Weirdly the bits I was missing the most was upright pillars, and the ones I did have tended to be two of the same half, so they didn’t fit together particularly well. Plenty of hacking and filling was needed to finish them off, and the final upright was made from two chunks of ruins glued on top of each other. It ended up with a very wonky appearance… but ruins!
The final upright didn’t have a back half at all, and with not enough pieces to bodge together a second upright, the final freestanding ruin had to be laid down. I wanted to make it look like it was being reclaimed by the earth, and I had some more plants from Hobgoblin to fill the gap and make it a more rounded piece of scatter.
With plenty more filler applied and a long drying time, it was on to the undercoat!
All white on the night
I wanted to avoid doing MORE grey ruins – my collection of terrain was 90% drybrushed grey over a black undercoat which is incredibly dull to look at. I was looking at some tutorials for painting wraithbone structures for our Rogue Trader campaign at the time and I enjoyed how striking Seraphim Sepia was over a white undercoat, so the plan was set in motion.
All dressed up
They existed for almost two years before the gaming mat was purchased, and it’s such a lovely backdrop for these minis I had to finally take some photos!
The stone was painted with washes of Seraphim Sepia and Agrax Earthshade, with progressively lighter drybrushes of boney colours, finishing on an edge highlight of pure white.
I was playing with my latest new technical too – Nihilak Oxide – to do some patina on the bronze. This was just Warplock Bronze painted straight over the bits I wanted to be metallic with the Oxide dabbed messily into the recesses. With a bit of rag, I wiped it off the most prominent edges and that was that.
The downed ruin had some extra textures to paint, namely the ground and plant. I had another half a dozen plant bits that I batch painted at the same time (more on those in another post), so this was done to replicate that. Otherwise, the ground was a dark brown base with lighter browns drybrushed over the top, with a few select grassy tufts from Army Painter.
When they’re separated, the ruins take up a decent amount of board space. I doubt they’d ever be big enough to use as a focal point, but as some LOS-breaking scatter I think they perform quite well.
Plus, the big bonus is they appear to work extremely well at both 28mm and 54mm – something that is becoming (again) increasingly important to my collection!
A final size comparison with an as-yet un-photographed mini – a Demeten Hastati. Again, more on those guys in a later post. The ruins make great cover!
Very happy with how it all came out! For a weekend’s worth of work, I got something striking and practical for the tabletop using bits that were just gathering dust. I’d been meaning to shoot them for some time, and with the new battlemat arriving, it was a great opportunity to use them as a backdrop for some other minis too.
With the Gorgon Crystals campaign kicking off recently, there are a lot of questions about a 20-year old discontinued game with weird rules and tricky figure scales. Here are some answers.
What is Inquisitor?
Inquisitor is a narrative skirmish wargame, focused primarily around the conflicts of the Holy Inquisition, either amongst its own ranks or against the enemies of mankind. Unlike the core game of the Warhammer 40,000 universe, it is not about the front-line of mud and gas and behemoth engines, but is instead set amongst the internal and domestic complexities of the Imperium – shadow wars where good, evil, right and wrong all merge into indistinct shades of grey.
If you have read the Eisenhorn series, you will already be familiar with the concept of an Inquisitor and his closest allies striving against these more subtle (but no less dangerous) threats to the Imperium, with their reward often to die alone and unremembered by the billions of citizens they may have saved from the encroaching dark.
Inquisitor is your chance to tell the dramatic, daring (and sometimes clumsy) stories of these unsung heroes.
How does it play?
Players have a warband of 2-4 models and play out a narrative scenario arbitrated by a Games Master (GM). The scenarios are typically part of a linked narrative devised by the GM, and the players’ warbands have conflicting goals and ideologies on how best to resolve the scenario, usually resulting in violence and thrilling heroics.
The Inquisitor rules allow the characters in the game to try to do just about anything, and the GM adjudicates how these are resolved. Players roleplay a character from their warband, nominate their actions, and make dice rolls to see how well things happen. The next character in the Initiative order then takes their turn, and so on.
Inquisitor is a game of tension, risk, and close calls, followed by explosions, violence, and pushing people off buildings. While the players do have objectives to achieve and there can be winners and losers, the main aim of the players is to use the rules and miniatures to create a compelling story on the tabletop that is retold countless times for many years after!
While Inquisitor was originally released at 54mm, smaller 28mm Inquisitor (INQ28) has become highly popular in recent years. Both scales are equally valid and should both be encouraged! Inquisitor presents a fantastic gaming and modelling opportunity whatever size your models may be.
The larger size of 54mm models allows more detail, is strongly associated with the game and can be a welcome contrast from the impersonal little grunts that die in droves during games of WH40K. These differences can help set the rather unique tone of Inquisitor.
A more in-depth study of the merits of both scales is here:
A warband is typically 3-5 models, and although an official Inquisitor miniature might set you back £20 on eBay, the huge number of 3rd party miniature companies and the rise of 3D printing means you can put a warband together for very little.
Ebay is a good place to trawl for cheap minis, you can often get more common figures like Slick Devlan, Eisenhorn and Preacher Josef for £10-15.
If conversion is your thing, you can often pick up cheap toy soldiers and add 40k bits to make them fit in – special shout out to the Russian ‘Tehnolog’ range who produce a range of minis of varying quality but the inarguable cost of around £8 (including postage) for 5 minis.
Games Workshop’s scale creep has been a boon to 54mm modelling too – Ork arms have always been a reliable fallback, but the Primaris and Necromunda ranges also have perfectly scaled arms, hands and weapons to use.
I’ve done some scale studies on 3d printed 54mm weapons here:
I’m running an Inquisitor campaign, The Gorgon Crystals, at my FLGS Asgard Wargames. The campaign will run over two weeks and comprising up to six scenarios, with a prologue period of almost a month to introduce people to the game and help build warbands.
We played our first prologue scenario this week – Death of a Vagabond.
“We have received reports of a vagabond-class merchant vessel, the Sojourner, on a collision course with Port Impetus. It is non-responsive to hails, and at least one scavenger crew has boarded the Sojourner and not returned.
The Imperial Navy has been dispatched to intercept and destroy before it reaches Port Impetus, but the question remains: what happened on board the Sojourner?
Assemble an insertion team to investigate before it is destroyed and report your findings. Emperor protects.”
Setting the scene
Our two warbands were meeting in the cargo hold of an ore hauler, the Sojourner. The cargo crews had built a city of sorts among the ore, and it was among these ruins our explorers would come to blows.
Upon arriving, the warbands find the crew butchered by their own hands – some had clawed the skin from their flesh in a horrendous bout of insanity. The cause for this wave of madness wasn’t clear, but drag marks, manic wailing and strange energy readings indicated the source was in the cargo hold.
Emergency lumens still flicker here and there from fading batteries – it would require an Awareness check to successfully see another character.
We had two players for this prologue game and some NPCs – a pair of deranged crewmen who had taken to building a pile of miscellaneous junk in the centre of town. One player used their own warband, the other was from a selection of pre-made warbands I had put together to introduce people to the game.
The Crimson Wake
The Crimson Wake are a group of traitors, scum and heretics that have banded together to pursue whatever power is fueling the unrest in Haimm. They don’t care what it is, they just want to pinch it and use it for their own ends.
The first is Traitor Guardsman Zenkhang, an ex-soldier blessed with a strong constitution and a warp-tainted Plague Knife. The second is Arch-Heretic Lurz Karo, an ex-planetary governor who plunged a city into the abyss to further the whims of his dark patrons. The third is Traitor Guardsman Kraw, a gunslinger with an uncontrollable ability to phase in and out of reality.
This band of mercenaries were once part of a pilgrimage beyond Imperial space, but their vessel was torn apart by the gravity riptide of Haimm and they were stranded. They rebuilt themselves (literally, in some cases) as mercenaries capable of any job, and on the fringes of civilised space, there were plenty of jobs for those who needed to slip between the cracks.
First is Esmeralda, a bionic woman with a powerful terror-sword, a semi-powered two-handed weapon easily capable of cleaving a man in two. The leader of the group is Sophia, packing a sawn-off shotgun pistol, duelling blade and hidden conversion field. Finally there’s Maxwell, the team’s ranged support. His scoped rifle has put many holes in many heads.
The investigation begins
Our warbands begun at opposite corners of the table, with a pair of maddened crewmen in the centre to act as a buffer.
It is eerily quiet, without even the familiar hum of a plasma drive, and both warbands advance cautiously.
Maxwell takes up an observation point in some ruins to the north of the clearing, picking out two figures in the gloom ahead. They seem to be dragging detritus onto a central pile – perhaps some kind of storage? It’s not clear. They also appear to be talking to themselves and covered head to toe in dried blood.
Esmeralda wastes no time closing the gap between her and her prey. Maxwell had tagged two potential hostiles around the storage pile, and Esmeralda was having none of this ‘potential’ nonsense.
Maxwell sees Esmeralda moving up and places a shot straight into the crewman’s gut with his suppressed rifle. He rolls around in agony, wailing to himself. Someone’s sure to have heard that…
Meanwhile, the Crimson Wake have been taking an uncharacteristically cautious approach. Lurz wants whatever has turned these crewmen mad, and isn’t that fussed as to how he gets it.
He gives the nod to Zhenkang who unleashes a hail of lead from his shotgun, striding across the barricades and open ground, firing wildly from the hip. He’s having such a good time.
Gunfire fills the hangar bay. Sophia recognises the familiar sound of a pump-action shotgun – something none of her comrades carry – and identifies a third party threat. She microbeads a warning to her team – expect a fight.
Maxwell spots a strange purple glow emanating from the top of the garbage pile – a collection of crystals that churn the stomach to look upon. The crewmen seem to have been building this totem in reverence of the crystals – nobody has any idea what they could be, but it is undoubtedly the source of the crew’s madness.
With the objective revealed, Sophia breaks cover and sprints for the detritus heap in the centre. Maxwell covers her advance by putting a rifle round through the hip of the second crewman, who had been left bloodied by Zhenkang’s shotgun assault.
Esmeralda charges the crazed downed crewman, bisecting his top half from his bottom half in a single swing of her terror-sword.
Sophia scrambles up the side of the garbage heap to come face to face with a masked man covered in symbols of the Arch-Enemy. His mouth twists into a grin, warmed by the purple glow of the crystal, and bares jagged teeth.
“Oh, how I’d hoped I wouldn’t be the only one!”
Kraw had finally drawn a bead on Esmeralda, loosing off shots with his revolvers but unable to stop the relentless charge of the sword-wielding mercenary. Kraw’s dimensional instability had helped him avoid detection, but it didn’t help him against an overhead blow from Esmeralda’s terror-sword. A huge gash across his chest sends him sprawling to the ground.
Karo and Sophia pause, eyes locked, trying to guess the other’s intention. They both lunge for the crystal, Sophia’s hand grasping it first. Karo lurches awkwardly to one side, his play for the crystal was a fake!
She finds herself staring down the barrel of a mid-magnum stub revolver, just in time to hear the hammer crack against the firing pin.
An incredible burst of light erupts from Sophia’s chest. A concealed conversion field, undetected until now, exploded into life. The stub round’s kinetic energy reborn as a burst of sound and light, protecting Sophia and dazzling everyone unfortunate enough to be looking at her.
Karo raises his arm just in time, but Kraw and Zhenkang receive the full concussive blast, leaving them gasping for air. Maxwell had sighted up Zhenkang ready to land another shot only to have his optics fried by a sudden burst of light. He cursed, knowing full well what had happened, but was powerless to do anything about it.
Sophia raises her sawn-off, aiming for centre mass. Karo’s erratic movements throw off her aim and she tears a hole from the cloth on his arm. His twisted smile writhes into a manic grimace, his crooked teeth like a tray of used needles. He feints again, this time thrusting his sword straight towards Sophia’s face.
Her reflexes fail her, and she feels the cold steel inside her cheek, cutting a jagged tear from mouth to ear. Pain overwhelms her and she drops to a knee, spitting blood and broken teeth.
Her vision sharpens enough to see the red-robed figure of Karo escaping across the hangar floor, purple glowing crystal under his arm, with Zhenkang in tow. She makes a quick headcount, her senses still spinning. All her team were alive, but that flickering guardsman Kraw was nowhere to be seen.
Karo had escaped with the crystal, but Sophia was sure it wouldn’t be the last she saw of him.
“Beware the dead, even as you fear death. For the God-Emperor protects us after death, but that which slumbers eternal may rise again.”
-From the journal of Acolyte Mora ‘Darksight’ Valerius
For the attention of the conclave of Asgard
Dissent stirs on the fringes of civilised space. Mines have gone silent. Warp-infused artefacts have washed up on the shores of Port Impetus amid reports of madness and violence.
With so much conflicting information, the Holy Ordos have dispatched their finest agents to contain and control what they can, and to eliminate what they can not.
The Inquisition is not the only organisation to have interests here – members of the Adeptus Mechanicus, Rogue Traders and agents of the Arch Enemy have all been reported converging on the cursed system of Haimm, eager to find the source of the artefacts for their own purposes.
I have plenty of spare warbands for other players to run around with, so the intention is to get people into the game as quickly as possible without asking them to invest in a bunch of 54mm figures.
The campaign structure
The Gorgon Crystals campaign consists of three parts:
Prologue – Introductory games to set the scene across a 2-4 week period to give players time to build warbands.
The Investigation – Four scenarios played over two weeks (Wednesday and Friday evenings). Complete objectives and gather evidence to uncover the secrets of the Gorgon Crystals.
The Finale – One large game to determine the outcome of the campaign, played with warbands who complete the most objectives
Players don’t need any models or knowledge of the game to play. Pre-made warbands are available for those who want to take part in the campaign without investing in minis, and every game will allow players to drop in or out as they wish.
The narrative nature of Inquisitor requires a certain level of continuity, and although the campaign is designed so you don’t need to attend every scenario, it’s helpful for the GM to know who is likely to be playing in advance. It’s first come first serve, but priority will always be for those who build their own warband or book a slot in the scenario.
Two scenarios are played each week – a Primus and a Secundus. These scenarios are from the same stage of the investigation but from different theatres of conflict.
Each scenario has three objectives – one for each faction: Puritan, Radical and Selfish. Objectives are often conflicting (even with warbands of the same faction), but they can also overlap with other faction objectives, meaning it can be wise to seek impromptu alliances or backstab erstwhile colleagues to complete your goals.
Completing an objective gives you a boon you can utilise in your next game. Completing a Primus objective also earns you a piece of Vital Evidence – those warbands with the most Vital Evidence will play in the finale. Completing a Secundus objective will guarantee you a place in the next Primus scenario.
Would you like to know more?
Keep an eye on the Gorgon Crystals tag – there’ll be battle reports, scenarios and more as the campaign progresses. Hit up Dreadquill on social media and come say hi!
I was lucky enough to get on board Anvil Industry’s Daughters of the Burning Rose Kickstarter back in 2018 and thanks to a birthday present top-up found myself with a decent amount of credit to spend on toy soldiers. I didn’t need any squads at that time, so fancied picking up a load of the special characters to supplement the various games we play as NPCs.
Excitingly, many of the special characters were still in the concept art stage when they were ordered, so it was a crapshoot as to what would turn up. One set that I knew I definitely wanted was the “Cyborg Surgical Assistants”, as at that point I’d lost count of the number of games I’d set in a morgue/hospital or with a Boss NPC surrounded by legions of assistant servitors.
The horde arrives
I ordered a bunch of minis and promptly forgot about them for a year until a large box of resin arrived on my doorstep.
What a mystery! Half of the fun was figuring out what I’d ordered (looking at the invoice is for casuals), and luckily Past Me had furnished Present Me with plenty of fun new toys to play with.
I had a Dark Heresy finale coming up that required a pair of medicae servitors, so I assembled those first, popping them on small Necromunda bases to fit in with my other minis.
As with other Anvil Industry stuff, they were a dream to put together. Minimal mould lines and everything fit together without any pinning. Out of the two claw hands and two chainblade hands, I opted for one on each servitor. As much as the idea of Mister Clamps and Mister Stabs appealed, the practicality of having two chainblades on a medicae servitor was a little suspect.
I knew I wanted a sterile, hospital-themed colour scheme to help visually set them apart on the tabletop, but I wasn’t quite sure how to go about it. Luckily, a video on how to paint UR-025 from Blackstone Fortress was doing the rounds at the time and the minty green was perfect for what I wanted – and I had the paints to hand!
An undercoat of white then a layer of Nihilakh Oxide gave me hospital scrub green, with another pin wash in the recesses, then edge highlighted with a very light grey.
Metal bits were simply painted metal, then given a brown and black wash to make them really mucky. Chips were painted on with a little line of dark brown, then highlighted underneath with a little line of light grey.
Flesh was Ironrach Skin, washed purple and Ironrach layered over the top again to give them a very unhealthy skin tone (plus a little dab on the corners where flesh meets metal – gotta make it look inflamed as well).
The goop tanks were painted red, stopping roughly horizontally to look like liquid in the tank. A thin line of lighter red as a highlight, then a healthy coat of gloss varnish to finish off the look.
And they were done! I’m very pleased with how they came out – the colour scheme was simple to do but incredibly striking on the tabletop, and stands apart from other minis they might be deployed next to. I’m already planning my next Anvil build, so watch this space…
New year, new scenery! I’ve had a quiet spell for hobbying over the past month or so, the time I’d usually spent painting is time I spend buying cheese, eating cheese, or planning how to get 12 people round an 8-person table to eat cheese.
Luckily past me grabbed loads of photos of projects I hadn’t showcased yet, so I’ve got lots of material to work with while I get back in the hobby groove.
Older and ryza
I acquired some of the Ryza-pattern ruins completely by chance, having been decidedly indifferent to them when they were announced. When a sprue was included in Conquest magazine last year, not only did I get one for free from someone who didn’t want it, but the price of them dropped through the floor on ebay the week after the issue hit doormats. Crazy how nature do that. I figured two sprues were better than one (and could get reasonable coverage on a table) so I picked one up for about £6.
For my sins, I took absolutely zero WIP photos. Imagine then, if you will, the above and below photos but TOTALLY NAKED. They were uncomplicated to build – the only assembly required being where two sections slotted together. The hardest part was cleaning the darn pieces up – one of the ruin sections has no less than 28 points of contact with the sprue, so that was a LOT of plastic nubbins to clear up.
All painted up
As with all my scenery schemes, the technique I used was far too complicated for how they came out. Everything got hit with a black undercoat, then a grey zenithal undercoat. The ‘panels’ got a pale flesh drybrush with a sepia wash, and the ‘uprights’ got a boltgun metal drybrush with a brown wash. These got a rough edge drybrush with boltgun metal again to make them look chipped and worn.
The red horizontal sections were mephiston red, black wash and edge drybrush with a lighter red, and the yellow and black stripey cables got a black wash as well. My two favourite technical paints were then liberally splashed on afterwards – Blood for the Blood God and Typhus Corrosion to mucky them up a bit.
They’ve already been super handy in games of Necromunda to expand the pool of scatter and cover terrain, and they scale up well to 54mm too which makes them double-useful for my nefarious 2020 plans!
For now though, simply enjoy these unbesmirched images of good, wholesome background terrain in its natural environment.
I recently got involved in a Dark Heresy 1ed game (and not one I was running for once!) which gave me a great excuse opportunity to buy another mini.
I’m obsessed with the Adeptus Mechanicus, and always excited to explore more facets of them. As the Mechanicus are basically space wizards (simultaneously hoarding secret knowledge but desperately wanting to show off how smart they are by building giant towers filled with weird inventions), I wanted to make a quintessential wizarding archetype – the doddering old genius.
I’m also a huge fan of Futurama, so after watching Bender’s Big Game, I knew what needed to be done. I set about finding a mini to perfectly represent Hubert Farnsworth in the 41st millennium.
My experience with Artel was superb, starting at the point my delivery arrived.
Look at it! Having ordered a couple of things from Russia with varying levels of sturdiness, I was delighted to find a hand-wrapped brown paper box plop out the jiffy bag, with a red wax ‘Artel W’ seal.
Mini companies take note – customer experience starts from the moment the parcel arrives!
Inside was another box, clarifying the ‘W’ stood for Artel W.
Very delicately packaged, and lots of lovely bits.
The second heap of praise I have is the quality of this fella is unparalleled – I’ve never put together anything quite like it. The mini is exquisitely detailed, there were no mould lines at all, and only a couple of bits of flash that needed trimming off. The actual mini itself went together like a dream, everything fitting precisely where it needed to.
I’d assembled him within half an hour, no need for anything to be pinned. Everything felt sturdy. He even came with multiple arm options, and although I had planned on converting him somewhat (I wasn’t sure what, I just have a compulsion to change things to make them my own), I couldn’t bring myself to do it – the mini was just too lovely!
He scales up nicely to other GW minis too – here he is hanging out with the rest of the party. Enough dilly-dally, on to the paint!
He’s an old-school Magos so he needs some old-school threads. Classic Mechanicus red, with black and white checkerboard trim (none of this fancy new cog trim).
Everything was painted with the same technique – base colour > wash > base colour > lighter colour. It’s simple, easy for me to remember what I’ve used, and works well with my high contrast/cartoony style of painting.
I love all the little details on the mini – I’m pretty sure all those heads are supposed to be the other Planet Express crew. He’s even missing a shoe, perfect for a forgetful old Magos.
I’ll definitely be using him as a hanger-on in Necromunda too… perhaps a Heretek or Rogue Doc. Maybe even as a VIP in a scenario? Always good to add to the catalogue of Citizens!
It took me a bit of trial and error to work out how the hood and mantle worked with each other – there was lots of repainting sections trying to figure out where the red bit ended and the black and white bit started.
Typhus Corrosion was applied around the bottom of the robe and shoes to help mucky him up a bit and tie him into his Zone Mortalis base a bit better.
I think this was my fourth (?) time at painting fire – somehow I’d escaped almost 20 years of mini painting without having to learn how to do it, then a bunch of fire-based projects come along at once. I think I’m getting better at it, I just need to practise my Origin Source Lighting to help give it that warm glow. I tried it a bit here, but I chickened out before doing too much.
I wasn’t quite sure what to do on the banner, so I went for a cog design. I’m not super excited about how it came out, so I’m blaming the waviness of it. Yeah. Finished, not perfect, right?
Very happy with how he turned out! It was a bit of a slog to get through, especially all the little fiddly technical freehand bits (and painting fire – boo hiss), but I’m glad I did.
Good news everyone – I will DEFINITELY be going back to Artel W for more minis in the future!
Proximity alarm! Augers detect plasma drive activation 8 VUs off starboard side and closing!
Last time our intrepid explorers translated safely into the Gallionic system and straight into an ambush at the hands of Captain Firmstep.
Captain Firmstep, flying the armoured Heimdall-class transport ‘Foregone Conclusion’ moves into weapons range, clearly signalling his hostile intentions while the crew of the Unbroken Resolve scramble to power up all defensive systems after translation.
The other vessel, the smaller and more nimble Viper-class raider ‘Sulphur Cutlass’ lurks on the peripheries on the battle.
As a side note, both vessels used the newly-developed (at the time) Grimdark Ship Name Generator as a naming tool. Some are great, some are odd, all are Grimdark.
While the Conclusion and the Cutlass drop countermeasures and graviton flares to baffle the Resolve’s sensors and targeting solutions, the Resolve respods with defensive measures of their own.
Thanks to the Expanded Space Combat Actions, there are now some extra options the crew can pursue in between moving, shooting and intimidating the crew to move faster and shoot better. One of those is Flak Storm.
Extended Action – Flak Storm
The point defence gunners receive the order to go weapons free, saturating all the space around the ship with a thick wall of gunfire – the storm of flak scattering debris and shattering asteroids, making it difficult for enemy gunners to draw a bead on the ship. This action is a desperate one, as the wanton and unsustainable waste of resources has a lasting effect on the crew.
Command or Intimidate: Impose a -5 to all enemy BS tests targeting your ship next turn, plus an additional -5 per Degree of Success. Reduce your own Morale by D5 each time you perform this Extended Action, regardless of the success of the test.
Crushing the cutlass
Astropath Gil utilises some extended actions from the Navis Primer, namely Control the Weak Mind. A powerful psychic technique that no Astropath should be without – with a Psyniscience -40 test he can target a nearby enemy vessel and telepathically control some of the gun crews to fire on erstwhile colleagues.
Not only do you pick an enemy’s weapon component and immediately resolve it against a target of your choice, but the weapon component can’t fire next turn as the crews are too busy reloading!
With the Cutlass’ void shields down (and it foolishly closing range), the Unbroken Resolve was free to open fire with its powerful close-range macrocannons. A disgustingly good round of shooting left the Cutlass crippled and most of its components unpowered or venting air into the void.
With very little left to contribute and the Resolve now engaged with the Conclusion at close range, the Sulphur Cutlass disengages and skulks away into the darkness.
Having lost both the shooting game and the numbers game, Captain Firmstep turns to his ship’s own speciality – prepare to board!
The Conclusion is only a transport, so not designed to threaten the players’ own ship very much in terms of armour or armament. It did pack an unpleasant surprise, however – a barracks full of void-hardened warriors, a Tenebro Maze arrangement of interior corridors and a talented Captain to buff the crew.
They got a +30 to any attempts to repel boarders, meaning the Captain would have to work extra hard to cause their crew concern.
Voidmaster Zill and Von Gunn lead a Hit and Run attack around the outside of the vessel, crippling their plasma drive. Gil gets spooky and summons a Dark Labyrinth, making their own ship’s interior impossibly complex to navigate to boarders, giving them a buff during boarding actions. It all seemed for naught after the first dice roll.
In the opposed test, the Captain rolled a critical success, the crew of the Conclusion rolling a critical fail. We did the numbers.
The Captain lead a boarding party that butchered over 15,000 crew in one hour of the boarding action. Down to the last ~200 or so crew, the unsurprisingly threw in the towel and surrendered to the gore-soaked boarding party of the Orthesian Dynasty.
After a rousing speech about how lucky they are to be shown mercy, the Captain orders the survivors to be absorbed into their own crew to bolster casualties. Captain Firmstep however, is nowhere to be found…
New ship sheets
This space battle prompted a discussion about ship character sheets. The rulebook rightly describes the ship as a character in its own right, shared between the players, but we felt the default ship sheet wasn’t nuanced enough to cover the myriad components, knick-knacks and acquisitions the players would come across.
So we made our own!
Removing the massive ship image and shuffling the tables round a bit gave us loads of extra room to play with. The reverse is a bunch of space for cargo and acquisitions – you don’t need to print it off double-sided, but we found that we used the reverse to track all the players’ booty anyway, so it just made sense.
After exploring the bloody remains of the Foregone Conclusion, the crew agree there isn’t much to be done about the vessel. Legally Firmstep is a pirate, so nobody would come looking for their ‘legitimate salvage’, but they didn’t have the manpower or inclination to tow it back to Mercy themselves.
They agreed to grab what they can (the Captain pinching Firmstep’s heraldry hauberk), make a few calls to Captain Acheron at Mercy and get on with the expedition.
Into the black
The Captain prefaces the unknown warp journey with another rousing speech to the crew, congratulating them on overcoming the heretic Captain Firmstep. The crew had taken a hit to Morale in the fight, and this was just the ticket to artificially inflate their sense of self-worth before their sacrifice on the altar of the unknown.
Set a course for Sigma-459!
We use our own warp travel rules, which is a blend of the core rules (too simple) and the Navis Primer rules (too complicated) with another dozen or so warp encounters added to the table. Take a look:
As the Navigator is played by an NPC, the players take it in turns to roll for warp travel, using Mahd’Naz’s Navigate (Warp) stat of 50. They are allowed to use their own Fate Points to re-roll, knowing full well the consequences of failure…
They make an accurate estimation of 35 days and as its a brand new warp route, roll ‘Indirect Path’ for the Route Stability, adding +1 day to the journey.
They successfully translates in, failing by less than a degree, and avoid all but the worst of the warp travel encounters (ie, they take a bunch of Insanity Points from seeing their dead relatives at the foot of their bunks, but that’s par for the course right?).
In it for the long haul
To spruce up long travel times, I’ve started writing in mini-encounters, moral quandaries or opportunities for advancement for some minions, often prompted by players’ desire for not-quite-as-shit scrubs. One such instance was when the Captain wanted to train up Felicity, one of the more proactive armsmen, personally training her to be an assassin.
The premise was simple – if the captain can pass a relevant check every week (Weapon Skill, for example), his personal tutelage has paid off and she can slightly bump her stats in that area. She won’t be wearing rags for long!
To help them claim ownership of their space, I’ve also started asking them to build the world in their image, starting with their quarters. The Captain described his quarters as a neat and tidy office space, filled with books of tactics of admirals of old. In the chaos of universe, this is his haven of stability. He also has an expanding trophy cabinet (Thanks, Firmstep!) and you could bounce a penny off the bedsheets. And, naturally, a glass of amasec is always ready on his desk.
For Voidmaster Zilla, he was presented with a conundrum involving his Xeno-arcanist:
The Dynasty’s paper-pushers have flagged up erroneous expenses with your cut of the profits. Several large purchases have been made under your name, more so than the usual Telasco’s bar tab, and after doing a little digging you discover your xenoarcanist “The Zoologist” has been making a number of covert purchases. When you confront them about this, you discover they have been building a library of proscribed, illegal or otherwise morally dubious books and tomes about xenology and alien culture.
If the Zoologist is allowed to continue his studies, he improves his Forbidden Lore (Xenos) to +20.
Unfortunately for our Voidmaster, he failed to locate any trace of what the Zoologist was spending his money on, so he assumed it was booze and/or space floozies. The mystery continues unsolved!
You have an interesting and somewhat valuable collection of something in your quarters, what is it? (One of them goes missing, a junior has pawned it for gambling)
The player tells me he has a collection of sketches made during meditative trances, most are strange but important to him. One of his Juniors tries lying to him (a bold strategy for a bunch of telepaths), which results in his gambling privileges revoked.
Still causing problems
For the Explorator:
A senior Engine Priest has reported some strange goings-on in some of the crawlspaces. Apparently some of your Engine Crew have made copies of the Cilice GinDistillery and have set up a bootleg still in some of the less-used areas of the ship. Not only is this a flagrant misuse of Dynasty property, but an incorrectly-assembled is an explosion waiting to happen, and encourages the most heinous crime of all amongst your underlings: innovation.
Freeman wastes no time in locating the secret Gin still, storming in with Engine Guard. He flogs everyone responsible, scrutinises the construction and takes it all apart. He decides to keep the details of the entire debacle to himself.
Everything filters upwards of course, and when the Captain inevitably finds out about an entire work gang being publicly flogged under orders from Master Freeman, he wants to know why. Freeman is inexplicably evasive about the entire situation, keeping the plans for himself, leaving everyone with a sour taste in their mouths.
I’m sure elements of trust between the crew and Freeman’s Secret Projects(tm) will never come up again…
Gil uses The Tower to find out about Factor Silica
Gold in them thar cargo holds
Finally, the Captain was presented with a (mild) moral quandary. After raiding the estates in the Golden Valleys of Cilice, the crew had found themselves with an awful lot of miscellaneous booty once belonging to faithful Imperial servants that Brother Espin would appreciate returned to him. Alternatively, Orthesian adepts on Mercy could slowly tap the reserve, laundering the goods through Mercy’s infamously untraceable markets and turn a few pennies for the Dynasty.
The Captain mulls it over and elects to pass – keep hoarding the loot. Don’t sell it, but don’t tell Espin we’ve got it. I’m sure he’ll never find out…
More Auction Intel
And finally, Gil tasked his new intelligence gatherer, The Tower, to scrounge up some more intelligence on some of the potential auction-goers. This time it was Factor Silica, emissary of Varnstrom Industries, the largest Adeptus Mechanicus conglomerate in the subsector.
Intel: Presiding mostly in Imperial space, Varnstrom Industries are the largest Adeptus Mechanicus conglomerate, owning more than half the ruling sects and having the controlling share of the forge world ‘Forlorn Hope’.
Reason for attending: They are staunch traditionalists and loathe to see Adeptus Mechanicus secrets being traded so carelessly between undesirables.
Not a lot to action at this point, but knowing that they’re going head-to-head with the biggest cog the Mechanicus can throw at the problem, they’ll need something extra special to win that ship.
With our journey coming to a close, it was time to make one final translation into realspace and arrive safely at our destination.
Big rocks – mankind’s oldest foe. As much a threat to planetsiders as to voidsmen, and despite space being really really big and really really empty, they do have a tendency to turn up in space battles quite a lot.
Given our Rogue Trader campaign is heading back out into the wilderness, we’re likely to come across all kinds of really big rocks. Why not put a few together?
I wanna rock
I’d recently acquired some cork for basing materials. When it comes to cork, a tip I received from a local hobbyist was to pop to Wilko and buy a few place mats and tear them up rather than pay loads for ‘hobby’ cork. It all comes from the same tree!
This was a quick turnaround for construction, so for all my shame I was unable to get any WIP photos of them pre-primed.
Cork is lovely to work with – you can simply gouge chunks out of it with any implement (even fingers) to create great texture. The smaller rocks were made from scraps from the larger ones, carefully vetted to avoid any flat edges.
For the big lads I glued a few slabs of cork together until they were an inch or so thick. Once thoroughly dried, I set about carving huge chunks out of them to create more realistic shapes. Again, great care was taken to avoid any obvious flat edges or glue marks. You can kind of see the ‘grain’ of the cork in the top left asteroid of the photo above, so I was keen to avoid any more of that.
The support struts were a mix of cocktail sticks for the thicker rocks and lengths of paperclip for the smaller ones. I bent a right angle at the bottom of each paperclip so there was more surface area connection, then padded it out with green stuff anyway. I build for table-play, not dis-play. Aha.
Finally, I applied plenty of textured paint into the nooks and crannies that still had grain on them.
Painting giant space rocks was, you’ll be surprised to hear, incredibly straight forward.
Primed black, drybrushed grey, then washed with Nuln Oil. Another few lighter highlights were drybrushed on, ending in almost pure white at the very top.
I did actually (for once!) look up reference images, as I couldn’t remember if asteroids were brown or not. (They’re not)
Finally, using the end of a cocktail stick, dabbed some white dots in a random pattern to simulate the infinite vastness of space (and break up the dodgy sanding job I did on the bases).
Very happy with how they came out! It’s definitely a technique I’m going to replicate in the future. I notice TTCombat has a new ‘modular space station‘ kit that is awfully tempting – perhaps some space stations built into asteroids? Or perhaps.. *gasp*.. a scale model of Mercy?
Omnissiah protect us, for that would be a mighty construction project…
Originally introduced for Dark Heresy, the Gloomhaunt is a classic fantasy beastie effortlessly inserted into the abandoned corridors, dank caves and hissing service tunnels of the 41st millennium. I needed some winged beasties for our Dark Heresy campaign for the Beast House section and thought Gloomhaunts would fit perfectly.
As they’re ambush predators they’re not much of a threat if you catch one of them sneaking up on you, so I’d need a bunch of them assembled in case I needed a swarm for some of the higher power games, like Rogue Trader or Wrath and Glory. They’d even be interesting carrion creatures for our games of Necromunda, so having a few singles and some swarm bases would be helpful for ease of play.
Bats out of hell
The project kicked off with remembering I had almost a dozen classic warhammer fantasy plastic bats – the same bats that came in the ‘fantasy swarms’ box, with bats, rats, spiders and snotlings. They’re an easy start – an all-in one mini that I just need to horrify up a bit.
The official artwork for the Gloomhaunt shows them more like angry Golbats than regular winged rodents, so I wanted to do away with any of the obvious bat-like features on the body. I ground down the face, carving a hole in the body where the new mouth would be.
I trialled a few types of mouth – top left was the fiddliest experiment with tiny bits of thin wire and a very dainty face. I settled on gluing snipped up bits of paperclip haphazardly around the holes I carved, then greenstuffing a mouth-hole over the top. You could call them lips I suppose, but my partner referred to them as ‘gross flying foreskins’ so clearly the transformation from bat to horrible xenoform was complete.
Many of their pre-moulded plastic bases had snapped off over their 20+ year incarceration in the bits box, so they all got a bit of paperclip at varying lengths for a stand, attached to a mesh/plasticard base to fit the aesthetic of the Beast House.
I might need them as single opponents or massive swarms, depending on the game system and power levels, so I made two ‘swarms’ of multiple Gloomhaunts on a single base.
Other than the fiddly part of attaching tiny chunks of paperclip, the conversion was relatively straight forward and I was looking forward to getting them painted up!
Painting the swarm
I started with a brown undercoat, then the bodies were drybrushed and washed to give a light brown fur texture. The wings vanes were painted dark grey, drybrushed and washed again for a dark, bat-like wing leather.
The flesh around the face was painted in a flesh tone, the teeth picked out in a bone colour and the whole lot given a heavy crimson wash inside to emphasize the horrible fleshy maw that clamps around the head of the unwary.
A heavy application of gloss varnish in and around their toothy maws helped give them a freshly-squeezed-ganger-head look.
The bases were drybrushed silver (straight over the brown undercoat) and given a healthy brown wash. Then, my favourite part, a liberal application of both Blood for the Blood God and Typhus Corrosion to give it that grimy meat-processing facility aesthetic.
The teeth and claws were carefully highlighted with a light bone colour to finish them off. Cheap and cheerful, I was impressed with how well they came out. For the cost of some superglue and a few evenings, I suddenly had a swarm of flying critters I could use to harass a party of any size in basically any indoor evironment.
They might not be particularly dangerous one-on-one, but the first time someone gets one of these horrible flappy bois latch onto their head, you bet players will start checking ceilings a lot more in future…