I’ve been banging on about the Gorgon Crystals campaign a lot recently, and for it I needed some battlefield tokens to represent the.. uh… crystals. I’ve mucked about with carving crystalline structures out of plastic sprue before, but I didn’t really have the fortitude to create at least half a dozen markers out of the stuff.
I put in the order and waited. Even though it was a busy post-Christmas period, it still turned up within days of me ordering. A++ service!
The minis came out the blister perfectly – no mould lines in sight. The only tidying I did was shaving down one or two bottoms where they’d been clipped from their sprue. A two-minute job and it’s time to hit the spray.
Blue tack woes
Now, in my haste, I didn’t give them a proper soapy bath that you should always do with resin minis. This is to clean off any releasing agent to make paint adhere better and make them a little less slippy.
I was too proud and lazy to do this – after all – what’s the worst that could happen?
Turns out, the releasing agent is basically vaseline for blue tack. I had to hold them with needle nose pliers and superglue them to paint pots because blue tack wouldn’t even pretend to hold onto them.
I kept telling myself that yes, this was a far easier and more efficient method than just doing what you’re supposed to do.
Time for the pink
I knew I wanted a purple/pink colour scheme to add that alien quality I was looking for, but I didn’t know how to paint crystals. I knew there was something funny about the direction you blend colours to make them look like prisms, but I couldn’t even begin to figure it out. Time for a tutorial!
A cursory google provided me with this great tutorial on painting gems/crystals, and I just substituted the blues for pinks and crimsons to produce an effect I was really happy with.
It was, however, quite time consuming, and I was sick of the sight of pink and purple by the end of four very long evenings of painstaking wet blending. I’m glad I did though, because I think the results speak for themselves!
They’ll appear in plenty of Inquisitor battle reports over the next few weeks, and hopefully I can get more Bad Squiddo bits to paint up in the near future, so watch this space!
I guess there’s a theme with recent MOTBs, so it’s a good time to post ruins! Truth be told, I’ve had these ruins ready for quite some time, but having only just purchased a lovely new battle mat from Pwork Games it was a great time to get some photos done.
Out with the old
I must have owned this kit for over a decade, getting dragged around between uni, house moves and all sorts. A few years ago I had a weekend spare and I wanted to finally get it from sprue to battlefield.
I had a tiny problem – much of the kit had been lost to the annals of time I was missing at least one whole upright pillar, the top of the monolith and at least one bit of broken pillar. I’d need to get creative.
In with the new
Luckily my pals at Hobgoblin 3D had me covered. I’d been doing some work for them and I was paid in scatter terrain (can all my paychecks be in scatter terrain please?) and I found the dungeon brazier fit perfectly in the gap at the top. Result!
I’d been using it for practising painting techniques, so it wouldn’t matter if it was getting repainted.
They were quite impressive all assembled. I’d used a cheap readymix DIY filler and smeared it all over, giving the flat edges a bit of texture and tidying up some of the more heinous mould lines.
It was a shame I was missing a few pieces, but it’s supposed to be ruins so the mismatched appearance would be fine.
Weirdly the bits I was missing the most was upright pillars, and the ones I did have tended to be two of the same half, so they didn’t fit together particularly well. Plenty of hacking and filling was needed to finish them off, and the final upright was made from two chunks of ruins glued on top of each other. It ended up with a very wonky appearance… but ruins!
The final upright didn’t have a back half at all, and with not enough pieces to bodge together a second upright, the final freestanding ruin had to be laid down. I wanted to make it look like it was being reclaimed by the earth, and I had some more plants from Hobgoblin to fill the gap and make it a more rounded piece of scatter.
With plenty more filler applied and a long drying time, it was on to the undercoat!
All white on the night
I wanted to avoid doing MORE grey ruins – my collection of terrain was 90% drybrushed grey over a black undercoat which is incredibly dull to look at. I was looking at some tutorials for painting wraithbone structures for our Rogue Trader campaign at the time and I enjoyed how striking Seraphim Sepia was over a white undercoat, so the plan was set in motion.
All dressed up
They existed for almost two years before the gaming mat was purchased, and it’s such a lovely backdrop for these minis I had to finally take some photos!
The stone was painted with washes of Seraphim Sepia and Agrax Earthshade, with progressively lighter drybrushes of boney colours, finishing on an edge highlight of pure white.
I was playing with my latest new technical too – Nihilak Oxide – to do some patina on the bronze. This was just Warplock Bronze painted straight over the bits I wanted to be metallic with the Oxide dabbed messily into the recesses. With a bit of rag, I wiped it off the most prominent edges and that was that.
The downed ruin had some extra textures to paint, namely the ground and plant. I had another half a dozen plant bits that I batch painted at the same time (more on those in another post), so this was done to replicate that. Otherwise, the ground was a dark brown base with lighter browns drybrushed over the top, with a few select grassy tufts from Army Painter.
When they’re separated, the ruins take up a decent amount of board space. I doubt they’d ever be big enough to use as a focal point, but as some LOS-breaking scatter I think they perform quite well.
Plus, the big bonus is they appear to work extremely well at both 28mm and 54mm – something that is becoming (again) increasingly important to my collection!
A final size comparison with an as-yet un-photographed mini – a Demeten Hastati. Again, more on those guys in a later post. The ruins make great cover!
Very happy with how it all came out! For a weekend’s worth of work, I got something striking and practical for the tabletop using bits that were just gathering dust. I’d been meaning to shoot them for some time, and with the new battlemat arriving, it was a great opportunity to use them as a backdrop for some other minis too.
I was lucky enough to get on board Anvil Industry’s Daughters of the Burning Rose Kickstarter back in 2018 and thanks to a birthday present top-up found myself with a decent amount of credit to spend on toy soldiers. I didn’t need any squads at that time, so fancied picking up a load of the special characters to supplement the various games we play as NPCs.
Excitingly, many of the special characters were still in the concept art stage when they were ordered, so it was a crapshoot as to what would turn up. One set that I knew I definitely wanted was the “Cyborg Surgical Assistants”, as at that point I’d lost count of the number of games I’d set in a morgue/hospital or with a Boss NPC surrounded by legions of assistant servitors.
The horde arrives
I ordered a bunch of minis and promptly forgot about them for a year until a large box of resin arrived on my doorstep.
What a mystery! Half of the fun was figuring out what I’d ordered (looking at the invoice is for casuals), and luckily Past Me had furnished Present Me with plenty of fun new toys to play with.
I had a Dark Heresy finale coming up that required a pair of medicae servitors, so I assembled those first, popping them on small Necromunda bases to fit in with my other minis.
As with other Anvil Industry stuff, they were a dream to put together. Minimal mould lines and everything fit together without any pinning. Out of the two claw hands and two chainblade hands, I opted for one on each servitor. As much as the idea of Mister Clamps and Mister Stabs appealed, the practicality of having two chainblades on a medicae servitor was a little suspect.
I knew I wanted a sterile, hospital-themed colour scheme to help visually set them apart on the tabletop, but I wasn’t quite sure how to go about it. Luckily, a video on how to paint UR-025 from Blackstone Fortress was doing the rounds at the time and the minty green was perfect for what I wanted – and I had the paints to hand!
An undercoat of white then a layer of Nihilakh Oxide gave me hospital scrub green, with another pin wash in the recesses, then edge highlighted with a very light grey.
Metal bits were simply painted metal, then given a brown and black wash to make them really mucky. Chips were painted on with a little line of dark brown, then highlighted underneath with a little line of light grey.
Flesh was Ironrach Skin, washed purple and Ironrach layered over the top again to give them a very unhealthy skin tone (plus a little dab on the corners where flesh meets metal – gotta make it look inflamed as well).
The goop tanks were painted red, stopping roughly horizontally to look like liquid in the tank. A thin line of lighter red as a highlight, then a healthy coat of gloss varnish to finish off the look.
And they were done! I’m very pleased with how they came out – the colour scheme was simple to do but incredibly striking on the tabletop, and stands apart from other minis they might be deployed next to. I’m already planning my next Anvil build, so watch this space…
New year, new scenery! I’ve had a quiet spell for hobbying over the past month or so, the time I’d usually spent painting is time I spend buying cheese, eating cheese, or planning how to get 12 people round an 8-person table to eat cheese.
Luckily past me grabbed loads of photos of projects I hadn’t showcased yet, so I’ve got lots of material to work with while I get back in the hobby groove.
Older and ryza
I acquired some of the Ryza-pattern ruins completely by chance, having been decidedly indifferent to them when they were announced. When a sprue was included in Conquest magazine last year, not only did I get one for free from someone who didn’t want it, but the price of them dropped through the floor on ebay the week after the issue hit doormats. Crazy how nature do that. I figured two sprues were better than one (and could get reasonable coverage on a table) so I picked one up for about £6.
For my sins, I took absolutely zero WIP photos. Imagine then, if you will, the above and below photos but TOTALLY NAKED. They were uncomplicated to build – the only assembly required being where two sections slotted together. The hardest part was cleaning the darn pieces up – one of the ruin sections has no less than 28 points of contact with the sprue, so that was a LOT of plastic nubbins to clear up.
All painted up
As with all my scenery schemes, the technique I used was far too complicated for how they came out. Everything got hit with a black undercoat, then a grey zenithal undercoat. The ‘panels’ got a pale flesh drybrush with a sepia wash, and the ‘uprights’ got a boltgun metal drybrush with a brown wash. These got a rough edge drybrush with boltgun metal again to make them look chipped and worn.
The red horizontal sections were mephiston red, black wash and edge drybrush with a lighter red, and the yellow and black stripey cables got a black wash as well. My two favourite technical paints were then liberally splashed on afterwards – Blood for the Blood God and Typhus Corrosion to mucky them up a bit.
They’ve already been super handy in games of Necromunda to expand the pool of scatter and cover terrain, and they scale up well to 54mm too which makes them double-useful for my nefarious 2020 plans!
For now though, simply enjoy these unbesmirched images of good, wholesome background terrain in its natural environment.
I recently got involved in a Dark Heresy 1ed game (and not one I was running for once!) which gave me a great excuse opportunity to buy another mini.
I’m obsessed with the Adeptus Mechanicus, and always excited to explore more facets of them. As the Mechanicus are basically space wizards (simultaneously hoarding secret knowledge but desperately wanting to show off how smart they are by building giant towers filled with weird inventions), I wanted to make a quintessential wizarding archetype – the doddering old genius.
I’m also a huge fan of Futurama, so after watching Bender’s Big Game, I knew what needed to be done. I set about finding a mini to perfectly represent Hubert Farnsworth in the 41st millennium.
My experience with Artel was superb, starting at the point my delivery arrived.
Look at it! Having ordered a couple of things from Russia with varying levels of sturdiness, I was delighted to find a hand-wrapped brown paper box plop out the jiffy bag, with a red wax ‘Artel W’ seal.
Mini companies take note – customer experience starts from the moment the parcel arrives!
Inside was another box, clarifying the ‘W’ stood for Artel W.
Very delicately packaged, and lots of lovely bits.
The second heap of praise I have is the quality of this fella is unparalleled – I’ve never put together anything quite like it. The mini is exquisitely detailed, there were no mould lines at all, and only a couple of bits of flash that needed trimming off. The actual mini itself went together like a dream, everything fitting precisely where it needed to.
I’d assembled him within half an hour, no need for anything to be pinned. Everything felt sturdy. He even came with multiple arm options, and although I had planned on converting him somewhat (I wasn’t sure what, I just have a compulsion to change things to make them my own), I couldn’t bring myself to do it – the mini was just too lovely!
He scales up nicely to other GW minis too – here he is hanging out with the rest of the party. Enough dilly-dally, on to the paint!
He’s an old-school Magos so he needs some old-school threads. Classic Mechanicus red, with black and white checkerboard trim (none of this fancy new cog trim).
Everything was painted with the same technique – base colour > wash > base colour > lighter colour. It’s simple, easy for me to remember what I’ve used, and works well with my high contrast/cartoony style of painting.
I love all the little details on the mini – I’m pretty sure all those heads are supposed to be the other Planet Express crew. He’s even missing a shoe, perfect for a forgetful old Magos.
I’ll definitely be using him as a hanger-on in Necromunda too… perhaps a Heretek or Rogue Doc. Maybe even as a VIP in a scenario? Always good to add to the catalogue of Citizens!
It took me a bit of trial and error to work out how the hood and mantle worked with each other – there was lots of repainting sections trying to figure out where the red bit ended and the black and white bit started.
Typhus Corrosion was applied around the bottom of the robe and shoes to help mucky him up a bit and tie him into his Zone Mortalis base a bit better.
I think this was my fourth (?) time at painting fire – somehow I’d escaped almost 20 years of mini painting without having to learn how to do it, then a bunch of fire-based projects come along at once. I think I’m getting better at it, I just need to practise my Origin Source Lighting to help give it that warm glow. I tried it a bit here, but I chickened out before doing too much.
I wasn’t quite sure what to do on the banner, so I went for a cog design. I’m not super excited about how it came out, so I’m blaming the waviness of it. Yeah. Finished, not perfect, right?
Very happy with how he turned out! It was a bit of a slog to get through, especially all the little fiddly technical freehand bits (and painting fire – boo hiss), but I’m glad I did.
Good news everyone – I will DEFINITELY be going back to Artel W for more minis in the future!
Big rocks – mankind’s oldest foe. As much a threat to planetsiders as to voidsmen, and despite space being really really big and really really empty, they do have a tendency to turn up in space battles quite a lot.
Given our Rogue Trader campaign is heading back out into the wilderness, we’re likely to come across all kinds of really big rocks. Why not put a few together?
I wanna rock
I’d recently acquired some cork for basing materials. When it comes to cork, a tip I received from a local hobbyist was to pop to Wilko and buy a few place mats and tear them up rather than pay loads for ‘hobby’ cork. It all comes from the same tree!
This was a quick turnaround for construction, so for all my shame I was unable to get any WIP photos of them pre-primed.
Cork is lovely to work with – you can simply gouge chunks out of it with any implement (even fingers) to create great texture. The smaller rocks were made from scraps from the larger ones, carefully vetted to avoid any flat edges.
For the big lads I glued a few slabs of cork together until they were an inch or so thick. Once thoroughly dried, I set about carving huge chunks out of them to create more realistic shapes. Again, great care was taken to avoid any obvious flat edges or glue marks. You can kind of see the ‘grain’ of the cork in the top left asteroid of the photo above, so I was keen to avoid any more of that.
The support struts were a mix of cocktail sticks for the thicker rocks and lengths of paperclip for the smaller ones. I bent a right angle at the bottom of each paperclip so there was more surface area connection, then padded it out with green stuff anyway. I build for table-play, not dis-play. Aha.
Finally, I applied plenty of textured paint into the nooks and crannies that still had grain on them.
Painting giant space rocks was, you’ll be surprised to hear, incredibly straight forward.
Primed black, drybrushed grey, then washed with Nuln Oil. Another few lighter highlights were drybrushed on, ending in almost pure white at the very top.
I did actually (for once!) look up reference images, as I couldn’t remember if asteroids were brown or not. (They’re not)
Finally, using the end of a cocktail stick, dabbed some white dots in a random pattern to simulate the infinite vastness of space (and break up the dodgy sanding job I did on the bases).
Very happy with how they came out! It’s definitely a technique I’m going to replicate in the future. I notice TTCombat has a new ‘modular space station‘ kit that is awfully tempting – perhaps some space stations built into asteroids? Or perhaps.. *gasp*.. a scale model of Mercy?
Omnissiah protect us, for that would be a mighty construction project…
Originally introduced for Dark Heresy, the Gloomhaunt is a classic fantasy beastie effortlessly inserted into the abandoned corridors, dank caves and hissing service tunnels of the 41st millennium. I needed some winged beasties for our Dark Heresy campaign for the Beast House section and thought Gloomhaunts would fit perfectly.
As they’re ambush predators they’re not much of a threat if you catch one of them sneaking up on you, so I’d need a bunch of them assembled in case I needed a swarm for some of the higher power games, like Rogue Trader or Wrath and Glory. They’d even be interesting carrion creatures for our games of Necromunda, so having a few singles and some swarm bases would be helpful for ease of play.
Bats out of hell
The project kicked off with remembering I had almost a dozen classic warhammer fantasy plastic bats – the same bats that came in the ‘fantasy swarms’ box, with bats, rats, spiders and snotlings. They’re an easy start – an all-in one mini that I just need to horrify up a bit.
The official artwork for the Gloomhaunt shows them more like angry Golbats than regular winged rodents, so I wanted to do away with any of the obvious bat-like features on the body. I ground down the face, carving a hole in the body where the new mouth would be.
I trialled a few types of mouth – top left was the fiddliest experiment with tiny bits of thin wire and a very dainty face. I settled on gluing snipped up bits of paperclip haphazardly around the holes I carved, then greenstuffing a mouth-hole over the top. You could call them lips I suppose, but my partner referred to them as ‘gross flying foreskins’ so clearly the transformation from bat to horrible xenoform was complete.
Many of their pre-moulded plastic bases had snapped off over their 20+ year incarceration in the bits box, so they all got a bit of paperclip at varying lengths for a stand, attached to a mesh/plasticard base to fit the aesthetic of the Beast House.
I might need them as single opponents or massive swarms, depending on the game system and power levels, so I made two ‘swarms’ of multiple Gloomhaunts on a single base.
Other than the fiddly part of attaching tiny chunks of paperclip, the conversion was relatively straight forward and I was looking forward to getting them painted up!
Painting the swarm
I started with a brown undercoat, then the bodies were drybrushed and washed to give a light brown fur texture. The wings vanes were painted dark grey, drybrushed and washed again for a dark, bat-like wing leather.
The flesh around the face was painted in a flesh tone, the teeth picked out in a bone colour and the whole lot given a heavy crimson wash inside to emphasize the horrible fleshy maw that clamps around the head of the unwary.
A heavy application of gloss varnish in and around their toothy maws helped give them a freshly-squeezed-ganger-head look.
The bases were drybrushed silver (straight over the brown undercoat) and given a healthy brown wash. Then, my favourite part, a liberal application of both Blood for the Blood God and Typhus Corrosion to give it that grimy meat-processing facility aesthetic.
The teeth and claws were carefully highlighted with a light bone colour to finish them off. Cheap and cheerful, I was impressed with how well they came out. For the cost of some superglue and a few evenings, I suddenly had a swarm of flying critters I could use to harass a party of any size in basically any indoor evironment.
They might not be particularly dangerous one-on-one, but the first time someone gets one of these horrible flappy bois latch onto their head, you bet players will start checking ceilings a lot more in future…
One of the aspects I enjoy about Necromunda is the modelling challenges it presents.
Since the addition of the Book of Peril, you can ally with Guilds and criminal organisations to unlock unique boons and deploy small squads (called entourages) alongside your current gang.
These entourages usually consist of a leader, a champion, and 1-3 pleb-level fighters. They’ll usually be equipped with a very particular set of skills and equipment, meaning there are no real out-of-the-box options (yet!) available for them. I’d love to see some plastic kits, especially for the Bioshock-esque Water Siphoning Guild, but I can’t imagine those kinds of kits are high on GW’s agenda.
One of the alliances available is the Slave Guild, replete with Slaver Entourage. They provide some interesting bonuses to gangs they are allied with, but I was mostly interested in seeing if I could kitbash four drugged-up chain glaive-wielding goons from whatever I could find in my bits box. Game on!
“Principal among the Chain Lords’ charges are pit slaves, often heavily augmented so that they might better entertain the crowds of the arenas. These warriors, often psycho-conditioned for maximum aggression and loyalty, are as hounds upon the leash, ready to be loosed should a word be spoken or gesture be made.”
The first models I put together were the bodyguards. I already had these guys planned in my head, using reclaimed Chaos Marauder bodies and heads from the Blood Angels Honour Guard set.
The book says are armed with chain glaives, flak armour and a stimm-slug stash – straightforward equipment and an uncomplicated build. Chainswords from classic Chaos Space Marines were chosen for their more non-standard and brutal aesthetic.
Shoulder pads came from Anvil Industry, very useful for hiding the awkward shoulder joints and giving them a bit more techno-bulk. I don’t have enough pipes, tubes and vials in my collection for a stimm-slug stash on the both of them, so I pressed some vehicle smoke launchers into service instead. I’ll be painting them to look like liquid-filled injectors, hopefully highlighting the fact that they’re both combat drug-addled lunatics.
I’ve never used combat drugs in my regular gang, so being forced to have them provided some interesting opportunities. I ran the numbers on the equipment combinations they have – with the Versatile trait of their chain glaives, the one turn bonus movement of 2 provided by the Stimm-slug stash, they can have a minimum charge range of 10 inches! Not something I’d want to be on the receiving end of…
Finally I added a techno-pommel to the base of their weapons. I think they’re from an Adeptus Mechanicus sprue, but I had enough of them to go round. They added some more weight and height to the weapons, and gave it a more duelling-weapon aesthetic that reminded me of the classic 54mm Sergeant Stone model:
The Shakleman – Guild Factorum
“Shaklemen are the bloated fight masters and slave drivers of the Merchants Guild, readily dealing in both human flesh and human misery.”
The hardest of the four minis to put together, mostly due to the eclectic mix of equipment and skills they possessed.
The Shakleman is armed with a shock stave and harpoon launcher, flak armour and a cult icon, and has the Disarm skill.
The harpoon launcher was a tricky bit to figure out, but otherwise I had a very particular vision of Igor from the (excellently cheesy) 2004 Van Helsing film. The arm of a Khornate Knight with the blade swapped for an AdMech taser goad made for a fine (and ludicrously large) shock stave.
The only other ready-made harpoon I had in my collection is the chunky launcher from the Orlock plastic kit (which makes for an excellent one-handed weapon if you’re huge) but I couldn’t figure out a way of attaching it to his back. Luckily, some Ork gubbins had me covered, and one of the Nob weapons just so happens to be this ramshackle-looking implanted harpoon gun.
I think I used up my entire collection of chains for this crew, but it was so much fun finding new parts of the models I could hang more chains from! The back banner came from either a Skaven or Chaos kit, with most the chains coming from Empire Flagellants.
In an effort to make it a little less chaos-y, I tried adding more chains (!) from the Bretonnian men-at-arms kit with some heraldry shields on it. I’m hoping to come up with some kind of Guild crest that I can recreate across the different minis, tying them together with some similar colours.
The head came from some classic Chaos cultists from the Dark Vengeance set, removed from its body for another spooky project but fit perfectly on the hunched Ork physique. Roll on the primer!
The Chain Lord – Guild Procurator
“Chain Lords are often huge and idle souls who have never had to lift a finger for their own comfort, their needs constantly seen to by a gaggle of servants. Hung with chains and trinkets, Chain Lords are nonetheless dangerous adversaries, their wealth affording them many hidden weapons and fiendish augmentations.”
For some reason, the description gave me this image:
The Chain Lord also is the only delegate with a choice of equipment – either a chain glaive OR a chain axe and shock whip. I’d already built a few chain glaives for the pit fighters, and I didn’t have any suitable shock whip that would look good with the chunky, static pose of the Chaos Warrior I used as a base, so chain glaive it was!
The body was made from the back of a Chaos Warrior, complete with shoulder pads, and the armoured torso of a Khornate Knight. I’d had the parts kicking about my bits box for some time and couldn’t resist the opportunity. The legs were also Chaos-sourced, but this time from the now-vintage original plastic boxed set of Chaos Warriors.
Obviously he was going to get covered in chains – he’s not called “Guy with some chains” or “Chain Intern”. What I wasn’t sure how to represent was the stimm-slug stash. I’d used smoke launchers for the pit fighters, but I wanted something a little less industrial looking for the boss.
Luckily I still had some miscellaneous Dark Eldar vials from the Talos kit that would look cool poking through the fur of the cloak, so they got glued on in a fairly random way and the fur re-added with putty to make them look more integral.
The head was the hardest part – finding something that looked both dangerous, ornate, somewhat idle. I had images of the God-King from Zack Snyder’s 300 but didn’t know how to translate that very well. I had two head options, and I put it to a Twitter poll:
Nearly all the comments were for both, so I did both! I trimmed the fancy headpiece and metal beard (the most important element) off the head on the left and stuck it to the head on the right, filling in the gaps with some more green stuff.
All that was left was to add a few accessories, more chains (!) and fill some of the more heinous gaps with green stuff. Ready for priming!
The Beast House project is practically finished and I have enough minis to represent all manner of slavers and keepers to harass our Dark Heresy group. Previously I showed off the leadership of the Beast House, Jackal Mask, and all that’s left was to paint up a few of the ‘supporting roles’ of the campaign.
The plot called for witches – rogue psykers incarcerated in hellish iron-maiden-type devices for the purpose of tracking and interrogation. What would happen if one of those witches escaped? We’d need some minis, just in case…
Hunting for witches
The Red Cages is just the first half of this act, the second half takes place above ground during a riotous carnival of colour and excess. Some more villains needed to take the stage soon, the ones who hired the Beast House, but they wouldn’t show their masked faces for a few sessions yet.
I had picked up the Doctors Starter Gang from TTCombat’s Carnevale range, as I had plans for all the minis individually. The plague doctor lead would make up my main villain, the big thuggish guy was originally pencilled to be the basis for Jackal Mask.
It wasn’t until I got hold of them that I realised just how much bigger they were than 28mm minis. With some clever snipping at certain joints, a couple of them could be trimmed down to size, and in the case of these insane-looking lads the scale wasn’t noticeable against their extreme poses. The others, however, were shelved until I could figure out a way to scale them down. Another project for another time.
These guys were very straightforward – they came in three pieces and just needed a bit of cleaning around the mold lines. Give them a Beast House base and they were ready to prime!
Finished, not perfect
They were painted in the same palette as the Beast House, but their strait jackets meant a mostly single colour for clothing. This wasn’t a bad thing, as they were going to get muckied up with blood and grime effects anyway.
The biggest difference to the Beast House palette was the electric doo-hickeys on their head and their lightning eyes. This was a slapped-on light blue/white effect that I had the intention of coming back to tidy up, but ended up looking better than the OSL effects I had spent hours trying to layer in the past, so I left it. Funny how things work out!
They really were simple to paint, and given they’d not have a great deal of screen time I didn’t feel like spending much time on them. Once all the washes had dried, they were drybrushed and attacked with various effect paints, namely Blood for the Blood God and Typhus Corrosion.
And with them completed, the Beast House project was more or less complete! I had many other ideas for designs to pursue or loadouts to tinker with, but for my purposes it was finished.
Time for a family photo!
Very pleased with how they all come together, made largely of scrappy bits I’d had lying around my bits box for a trillion years. In fact, the only minis that were purchased specifically were the Witches – everything else was repurposed or scratch built!
Time to terrorise my Dark Heresy group with plenty of Fear checks and chain glaives. Now, perhaps they need some kind of giant dinosaur rider…
The module describes him as huge and terrifying, with some built-in shock whip tentacles taking up one of his arms. Sadly the module is non-descript about his fate, suggesting his body is found in a trunk, skin flensed and missing an arm, so the Acolytes are never intended to take on Jackal Mask at any point. I thought that was a bit disappointing, as knowing my players, they’re desperate to exact revenge.
The project brief was quite open ended: build a big lad that could reasonably be the head of the Beast House operations, to make for an interesting foe in Dark Heresy and as a potential gang boss in Necromunda.
Building the beast
I picked up a cheap Lord of Plagues from an opportune swap and figured the massive frame would be an ideal starting point for my powerful lad. I wasn’t enthusiastic about keeping the two-handed weapon so I had a bit of a delve through the bits box to see what I could find.
Goliath arms fit perfectly! A Chain Glaive/grenade launcher combo is suitably gruesome for a boss – deadly both at range and close up. It’ll give me (the GM) some tactical flexibility for challenging the players too, as I can alternate between gas and frag grenades to keep them from bunching up too much in the pitched battle I have planned.
I covered up most of the cankers and sores (including the open belly wound) with greenstuff, as although I wanted him to be gross, I didn’t want him to be dead-man-walking praise-grandfather-nurgle type gross. Armour on the arms helped bulk him out a bit, leaving the belly open so he can remain aerodynamic when he fights.
I added a few large scars across the body to cover up the rough GS work I’d done. I figure someone who had a long career in capturing and torturing dangerous creatures might have a few nicks and scratches to show for it.
Final touch was the mask itself, one of the last things I put together. After deliberating the best way forwards, I decided that scratch-building was going to give me the closest thing I wanted. But then what – sculpt it from green stuff? Ain’t nobody got time for that.
Luckily I have a bounty of Beastman heads in my bits box and jackals have a much sharper, thinner snout than the goat/dog skulls the Beastmen are – meaning I can shave one down to get the look I want. Result!
I added two cyclinders cut from a spear shaft to look like rebreather filters and added some ears made from carved plasticard. I’d learned a lot from my work on Hare Mask, so this part was much easier than I’d anticipated.
All done, time to prime!
Painting the jackal
Jackal Mask followed the same basic painting techniques as the Beast House slavers with only a handful of differences.
There was much more skin on show here, so more time was spent on that (but not a whole lot more – finished, not perfect!) with extra attention around the scars, surrounding them with a light crimson glaze to make them look inflamed and not healed properly.
The mask was simply painted black (to cover up the mistakes from all the drybrushing and stippling I’d done), edge highlighted and washed with Nuln Oil to give it a matte look. The eyes then had a little dab of gloss varnish to make them look more like visors.
The armour had an extra wash of Carroburg Crimson to give it a slightly reddish tinge rather than the usual brown. I think it makes it stand out much better!